Getting your vocals to sit right on top at the front of your mix is desirable for any vocal focused song. Lackluster vocal production is like a glowing neon sign that says, "home studio recording!" This tutorial covers a simple mix recipe for getting your vocals right out there in the front of your ...
There are many approaches to mixing heavy guitar tracks. Striking a balance between clarity and thickness is a constant struggle. There is a general tendency in the recording of heavy music to layer many guitar tracks, but how do you maintain that razor's edge clarity of a single track? Here is a mi...
A great snare drum sound can really drive a mix. If you start to listen critically to a lot of dance, rock, metal, modern country, pop, funk, and other kinds of popular music you will notice the next loudest thing to the vocals is typically the snare drum. No matter how much is going on in a great m...
There is no reason to settle for lackluster kick drum sounds on your home recording. This article explores some great mix recipes for equalizing and compressing your kick drum tracks. While every kick drum has an individual sound there are some general guidelines you can follow to get a great start ...
Musician Friend offers a Stupid Deal of the Day. Today they are offering the excellent IKM Classik Studio Reverb at $50. This plugin normally sells for $200. I have this plugin and use it on almost every track I record. It works better for me than even Waves TrueVerb and Renaissance Verb. Check it out, today only!
Line 6 have released the next evolutionary step in their modeling family with the POD HD series. The new HD modeling aims to set new standards for routing flexibility, realism, feel and overall quality. Here are my initial thoughts after spending a little time with my new POD HD500 along with some comparisons to the unit’s direct ancestor, POD X3 Live.
Getting your vocals to sit right on top at the front of your mix is desirable for any vocal focused song. Lackluster vocal production is like a glowing neon sign that says, “home studio recording!” This tutorial covers a simple mix recipe for getting your vocals right out there in the front of your mix with clarity and presence. Show me the recipe
There are many approaches to mixing heavy guitar tracks. Striking a balance between clarity and thickness is a constant struggle. There is a general tendency in the recording of heavy music to layer many guitar tracks, but how do you maintain that razor’s edge clarity of a single track? Here is a mix recipe to take a double tracked rhythm guitar, give it the thickness and stereo spread of a quad tracked guitar but the clarity of a single tracked guitar. This technique will also work on guitar styles other than metal.
OVER: This deal has ended. They still have the stupid deal of the day going, but it isn’t for the MIDI controller anymore…
The Stupid Deal of the Day is a Link.MIDI 4×4 USB MIDI interface. For all you MIDI addicts out there just getting by on a 1×1 interface, this is your chance to step up your game and get true multi-IO going. Click the “Stupid Deal” banner to check it out.
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Here is the long awaited MIDI CC chart for POD X3 Pro. Once Line 6 implement MIDI in POD X3 Live (and hopefully POD X3 over USB) I would imagine these CC numbers will be accurate for those units too.
Tone 1 of your POD X3 responds to CC on the configured MIDI channel while Tone 2 responds to MIDI CC one channel higher. For example, if your POD X3 Pro is set to communicate on MIDI channel 3 then Tone 2 will communicate one channel higher, on channel 4. I have fully tested all these CC with my POD X3 Pro with flash memory 1.00 and USB firmware 1.00 installed in the unit.